‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy
Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as the red swastika eventually smeared on the front door of prota
Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as the red swastika eventually smeared on the front door of prota This story matters for Culture, Style & Media readers tracking serb. Reported by variety.com. Read the full original at the source link below.
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